And a higher quality of glass and internal construction also contribute to this greater sharpness. If you have not got a 50mm and are tentative about buying on go with the f1. Unlike a lot of other lenses with inflated price tags with not much notable differences, with the f1.
Looking to sharpen your photography and video editing skills? Join our top-rated photography courses and video editing courses today! Shaw Academy has over globally recognised courses across 10 faculties. Sign up now - the first four weeks are free. Home Blog. The Wide aperture This is the most obvious reason for going for these lenses.
Zuiko Digital ED 60mm F2. Reply to thread Reply with quote Complain. Reply Reply with quote Reply to thread Complain. In theory, yes. In practice, some lenses are actually darker than others. Neocon's gear list: Neocon's gear list. Often, the faster lenses outperform their slower counterparts at the same f-stop.
The 85 1. You can get shots, but they will be soft. Please see: No sharpening or any post processing, recropped the one with the boots. Nice work. That Tammy is hard to beat. Austin Photography is one of the ways to get myself relaxed from occupation stress.
David Myles. Get the 1. I think these are my current top picks, though not in any particular order: 1. I'm very weight sensitive. Why would that be? F Forum M My threads. You may also like. Nikon D6: initial sample images. Nikon AF-S mm F2. Latest sample galleries. Tamron mm F2. Panasonic S 35mm F1. DJI Mavic 3 Cine sample gallery. Nikon Z9 pre-production sample gallery. See more galleries ». Latest in-depth reviews.
Read more reviews ». Latest buying guides. Best video cameras for photographers in Best cameras for Instagram in Sorry but wide shots of city streets and buildings are far from a comprehensive test comparing these already subtly different apertures. Main reason was slightly increased closer focus and the edges… sharper.
Personally I believe Sony is asking at least twice plus what the lenses should be sold for. Differences among Sony and 3 or 4 other 3rd parties, very little. Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. John Aldred is based in Scotland and photographs people in the wild and animals in the studio. You can find out more about John on his website and follow his adventures on YouTube.
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The wider the lens the more precisely you have to focus to get good results. I've taken photos of a person's face where the eyes were in focus but the nose is blurry with the 1.
So get the 1. Even with AF-S on the D50 you will want to manually focus a lot to get really good results with this lens. I don't have a nifty-fifty, but my understanding is that you don't get even a full extra stop when moving from 1.
Also, I've read that the 1. Unless you really need the best max. Besides the DOF questions, i'd like to point out that the effective focal length of a 50mm FX lens when used on a DX camera like the D50 , will be about 70 or 75mm. Make sure you consider that when thinking about this lens. I happen to like it, as the lens feels a little like a "portrait" lens, and the DOF control is very nice.
It's quite a bit of difference if you are shooting indoors or at night For daylight in portraits it won't be as much. I'd rather have a 35mm 1. I shoot on DX with a sigma 30mm 1.
If you are on FX, get the 50mm 1. The sigma 30mm 1. Nikon doesn't make a 1. Same thing at other lengths. They don't make a 24mm 1.
So it's either sigma 1. Nikon sells 2 versions of most their prime lenses. The 'G' version contain an internal engine that "enable high-speed, extremely accurate and super quiet autofocusing" according to Nikon. Sign up to join this community. The best answers are voted up and rise to the top. Stack Overflow for Teams — Collaborate and share knowledge with a private group.
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